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Screen & Stage • Film

Bicycle Thieves

Bicycle Thieves is a 1948 Italian neorealist drama directed by Vittorio De Sica.

Updated September 11, 20261 min readCited sources

Bicycle Thieves is a 1948 Italian neorealist drama directed by Vittorio De Sica. It follows an unemployed father whose new job depends on a stolen bicycle.

What it is

The film centres on Antonio Ricci, a poor father who needs a bicycle to keep his job pasting up posters in postwar Rome. After his bicycle is stolen on his first day, he and his son Bruno search the city. Directed by Vittorio De Sica, it uses non-professional actors like Lamberto Maggiorani and Enzo Staiola, and is a landmark of Italian neorealism.

Why it matters

Bicycle Thieves is widely regarded as a major classic of world cinema and a defining work of neorealism. Its emotional simplicity and social realism have influenced generations of filmmakers. In Canada, it is studied in film courses and screened in repertory cinemas as a key example of postwar Italian cinema.

Key details

Original title: Ladri di biciclette. Release year: 1948. Country: Italy. Director: Vittorio De Sica. Language: Italian. Genre: Drama, neorealist film. Main cast includes Lamberto Maggiorani, Enzo Staiola, Lianella Carell, and Gino Saltamerenda. Setting: Post-World War II Rome.

In short

  • Antonio's bicycle is stolen on his first day of work.
  • The film is a landmark of Italian neorealism.
  • It ends with Antonio attempting to steal a bicycle.
  • Widely regarded as a classic of world cinema.
Canadian angle

The film is studied and screened in Canadian film studies, repertory cinema, and classic-world-cinema contexts, where it is often used as a key example of Italian neorealism.

Quick questions

What is Bicycle Thieves about?
It is about an unemployed father in postwar Rome whose new job depends on a bicycle that is stolen on his first day of work.
Who directed Bicycle Thieves?
Bicycle Thieves was directed by Vittorio De Sica.
How is Bicycle Thieves an example of neorealism?
It uses a realistic postwar setting, focuses on working-class hardship, and is closely associated with Italian neorealist cinema.

Sources

  1. Wikipediahttps://en.wikipedia.org/wiki/Bicycle_Thieves
    Supports: Basic film identification, year, director, genre, and plot overview.
  2. IMDbhttps://www.imdb.com/title/tt0040522/plotsummary/
    Supports: Plot summary about the stolen bicycle and the search with Antonio and his son.
  3. Roger Eberthttps://www.rogerebert.com/reviews/great-movie-the-bicycle-thief-bicycle-thieves-1949
    Supports: Critical reputation, neorealism significance, and director attribution.
  4. Deep Focus Reviewhttps://www.deepfocusreview.com/definitives/bicycle-thieves/
    Supports: Cast list and film identification.
  5. Fondazione Pradahttps://www.fondazioneprada.org/project/bicycle-thieves/?lang=en
    Supports: Plot details, ending, and postwar Rome setting.
  6. Humanities Institutehttps://www.humanitiesinstitute.org/__static/2a12764ae6dd333d2dac3597186e0f67/bicycle-thieves(3).pdf?dl=1
    Supports: Neorealism context and use of non-professional actors.